Saturday’s Flirting with Perfection Dinner at Crush

Saturday, 12 of us enjoyed a fabulous dinner at Crush Restaurant. It was a perfect dinner amazing food paired with equally amazing wines crowned by outstanding service.

 

 

Bacon & Eggs
Parsnip Flan, Smoked Salmon Roe, Bourbon Bliss
2002 Pierre Morlet Champagne

Japanese Hon Hamachi Crudo
Celery Root, Black Garlic, Preserved Lemon & Pickled Ground Cherry
Chapoutier 2004 l’Ermite Blanc

Sautéed Hawaiian Mero Sea Bass
Crushed Cajun Chokes with Fine Herbs, Cippolinis & Watercress
Kongsgaard 2007 The Judge Napa Chardonnay

Seared Hudson Valley Foie Gras “Steak”
Apples, Pears & Mascarpone Farro
Rieussec 2001 Sauternes

Douglas Fir Sorbet

Rosemary & Cinnamon Roasted Elk
Smoked Parsnip, Rutabagas, Black Trumpets, Squash & Apple
Numanthia 2004 Numanthia
Fattoria Galardi 2000 Terra di Lavoro


48 Hours Painted Hills Braised Beef Short Ribs


Yukon Potato Purée, Bacon & Sage Scented Baby Carrots
Greenock Creek 1998 Shiraz Roennfeldt Road

Warm Chocolate Coulant
Praline Ice Cream, Salted Caramel & Cherries
Alois Kracher 2002 #12

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2008 Burgundy vintage report

This vintage report is intended to better inform your choices about upcoming Burgundy releases which begin arriving in this Fall.

To-date, I’ve tasted over 200 red and white Burgundy from the 2008 vintage, from village level to Grand Cru. I have also spoken with over a dozen vignerons, exploring their thoughts on 2008. This experience has given me a sense of the complex vintage.

Overall, 2008 appears to be a much better vintage than I’ve been led to expect from the professional pundits. I find the whites outstanding and the reds to be fresh, lively, elegant but not thin. These wines will age well; the reds need more time to show their stuff. To be fair, I’ve tasted from top producers and, although I’ve tasted my share of barrel samples (around 80 wines this past February), I’ve tasted wines closer to release (over 100 wines). Burgundy – especially red Burgundy – is very difficult to judge when young in barrel, especially before the malos* have been completed. But vintage judgments from all the top critics** have been made solely from barrel samples.

The whites are showing lively acidities and mineral notes. Normally lush Meursaults come across more like Puligny! This is a very fine vintage for whites; many show a subtle rich complexity. Outside the Cote d’Or, I even enjoyed a sensational Premier (1er) Cru white from Mercurey in the Chalonnaise (Chamirey’s 1er La Mission) and some amazingly rich and complex Pouilly-Fuisse (Chateau Fuisse)- both barrel samples. The Cote de Beaune whites are particular successes, from Beaune 1er Cru (Prieure’s Champs Pimont) to dazzling Meursault from Buisson-Charles (especially their village “Tessons”, 1er Goutte d’Or and Bouches-Cheres) and superior Puligny, Rully, and Corton-Charlemagne from Olivier Leflaive.

Reds fared well, too. For these wines, the successes were made in the vineyard, not the cellar. Painstaking vine care, leaf canopy management, yield reduction and scrupulous sorting were necessary to produce top notch fruit with good concentration. Acidities were high and, in some cases, lesser wines are high-toned. Biodynamic vineyards fared particularly well. The top reds, however, are terrific!

Standout reds for me were Armand Rousseau’s Clos de la Roche and Chambertin Clos de Beize, both Grand Crus (available in 2011). Wow, what elegant richness. I loved Perdrix’s Echezeaux. These were barrel samples tasted in February. Recent tastings show the quality of this vintage and indicate how the wine will age in bottle. I was surprised recently at how complex and fresh these wines tasted; indeed some were dense and rich. I’m reminded here of Raphet’s delicious Clos de la Roche Grand Cru. These reds demonstrate how important the producer is to selecting good Burgundy, rather than the vintage.

More recently tasted Burgundy include Jean-Jacques Confuron’s Chambolle 1er Cru, Comte Armand’s amazingly concentrated Pommards (the younger vines 1er cru is a terrific buy). Huber-Verdereau’s biodynamic 1er Cru Volnay and Pommard were sleek and refined. I was wowed by the depth and complexity of Lafarge’s Volnay Clos des Chenes. Freddy Mugnier’s Nuits-St. Georges 1er Cru monopole Clos de la Marechale was outstanding. Pavelot is usually an earthier style of Burgundy but not their terrific and richly styled 1er cru Savigny Serpentieres or Dominodes; I think they are excellent values. Gevrey-based Taupenot-Merme turned out some intense 1er Cru Gevrey and Chambolle (Combe d’Orveau) and grand crus like Charmes- and Mazoyeres-Chambertin. Finally Violot-Guillemard’s top Pommards (the Clos Derriere St. Jean, Rugiens and Epenots) showed beautifully.

Please let me know if you’d like to find out about upcoming Burgundy offers bycontacting me at Esquin.

Cheers!

Arnie

* Malolactic fermentation usually proceeds after alcoholic fermentation, especially for all red wines, converting tart malic acid into softer lactic acid through the action of lactic bacteria.

** I’m referring to the Wine Spectator, Wine Advocate, Stephen Tanzer and Burghound

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A Dinner to Remember February 15th

What an incredible evening! Chef/owner Jason Wilson graciously opened his doors on Monday only to us lucky few.

Chef Jason himself greeted us and came by to describe each dish as it was served.

Jason and staff double decanting the wines

We began with decadent Cave Aged Gruyere Cheese Gougeres drizzled with truffle oil accompanied by Coultier Grand Cru Champagne

We then sat down, with our Champagne, to enjoy an incredible seaood trio of Hawaiian Ahi Tuna Crudo with Blood Orange, Olive & Fennel

Sea Scallops Sashimi with Warm Black Truffle Cauliflower & Meyer Lemon

“Bacon n Eggs”, Parsnip flan, Smoked Steelhead Roe, Bourbon Barrel Aged Maple Syrup

A fantastic pairing was the 1990 Fontainerie Vouvray Moeulleux with a complex flavored dish of Dungeness Crab and Mascarpone Raviolo

Buttered Pumpkin, Pinata Apple, Frisee & Chervil

The saut�ed Rhode Island Black Bass & Meyer Lemon Sabayon with Baby Octopus, Sunchokes, Chorizo, Baby Fennel, Sherry Brown Butter was backed by the exceptionally rich 2003 Chapoutier Ermitage Blanc Le Meal.

Perhaps one of most stunning dishes was the Black Garlic Sausage Wrapped Lido Farms Lamb Loin with Sous Vide Root Vegetables, Soubisse & Rosemary. Chef Jason told us how he painstakingly prepares the sausage wrap. We enjoyed a 1996 Troplong Mondot Saint-Emilion Grand Cru Class�e. It was perfect, tasting it just at the apex of its maturity.

Oh, my goodness, talk about decadence! After the Lamb loin, we enjoyed the Grilled Painted Hills Wagyu Beef Rib Steak with Potato Leek & Truffle Terrine, Thumbelina’s, Hedgehogs & Cabernet Sauce. We accompanied this dish with two wines: the 2001 d’Arenberg Dead Arm Shiraz (the first bottle was corked but, thankfully, we had a back up bottle) and a spectacular 2005 Mas ‘en Compte Les Planots Priorat.

We were nearly ready to surrender when Jason presented the Vahlrhona Chocolate Bombe with Cocoa Nib Merignue, Salted Butter Caramel, Chocolate Ganache & Hazelnut Mousse, Huckleberry Spice Beignets. Yikes. When I sipped the brilliant 1985 Graham’s Port with this dish, I closed my eyes relishing the moment.

As if this wasn’t enough, the meal finished with an artistic array of Mignardises: Poppyseed-lemon brittle, walnut macaroon, coconut truffles, earl grey caramels, Vanilla madelines, Smoked Salt Caramel, Chocolate chip cookies.

Thank you, Jason!

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An unforgettable trip to Bordeaux

 

Recently, I had the great good fortune to take the trip of a lifetime, to Bordeaux on a private jet – a Gulfstream G4.The trip was courtesy of a wine-loving billionaire who invited 10 wine professionals from around the country to tour his estates in Bordeaux and his friend’s domaines in the Loire Valley.

During the flights, we were pampered by an attentive flight attendant with glasses of Champagne, top Bordeaux and amazing platters of foods. Once on the ground, we were whisked around the French countryside in two Mercedes vans. Of course, we drank amazing wines and enjoyed spectacular cuisine!

Highlights of the trip:

* Touring Chateau Fontplegade, a Saint-Emilion Grand Cru

* Barrel sampling the outstanding 2008 vintage in Bordeaux

* Catching air in front of Pomerol’s legendary Chateau Petrus

* Dining like royalty in charming Saint-Emilion

* Goofing around the lawn of Chateau Cheval Blanc

* Staying in the picturesque village of Chenonceaux in the Loire Valley

* Visiting the “troglodyte” caves of Vouvray

* The wonderful, charming people I met, especially my fellow travelers – no self-important snoots on the trip!

* Getter better acquainted with Bordeaux and the Loire by insiders

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Where do Wine’s Scents and Tastes come from?

I’m often asked how wines attain their varied aromas and flavors. When we smell or taste lemon citrus, vanilla, blueberry, anise, pepper, tobacco and myriad other delights (some not so delightful!), are they present because the winemaker has added a dash of lemon or blackberry to the wine? How do they happen?

The short answer is that these aromas and flavors occur naturally in wine. The process of fermentation creates a complex stew of organic compounds and some of them are volatile. It is these volatile compounds which are chiefly responsible for wine’s scents and tastes. There are many groups of these naturally-occurring compounds but we’ll just cover a few of them; I’m not writing a textbook!

Esters: These are a form of organic acids responsible for many of wine’s flavors and aromas. They can be analyzed and replicated, which is one reason why we have the multi-billion dollar artificial flavor and aroma industries developing new food dishes and perfumes. For example, the scent of banana is the ester amyl acetate. If you could analyze and chart all the esters in a wine, some might be similar to the lemon citrus or blueberry notes wafting from the wine glass.

Aldehydes: Acetaldehydes give you that tang you find in many fino style sherries. Those vanilla notes you might observe in oak-treated wines are a type of benzaldehyde.

Terpenes: These are highly aromatic compounds. Those lovely smells of lychee and Alpine mountain flowers in Gewürztraminer result from terpenes.

Methoxypyrazines: A mouthful to say but this class of compound, found in Cabernet and Sauvignon Blanc, can give a wine herbaceous aromas; the grassiness of some Sauvignon Blancs or the green bell pepper scents of some Cabernets.

Sulfur compounds: In high concentrations they can be nasty and responsible for unpleasant compounds like mercaptans, which result from the presence of hydrogen sulfide in the wine. They can smell like a burnt match, cooked cabbage or geraniums – yecch!

This is just a brief, simple discussion of where wine’s aromas and flavors come from. There are many more important compounds I didn’t mention but you get the idea. These scents and tastes, in the right circumstances, give us the magic in wine.

If you’d like to explore this further, check out the book, “The Science of Wine from Vine to Glass” by Jamie Goode. It is an excellent primer on wine science and inspired this posting.

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Holding the wine glass

First thing, you will not see the words “must” or “should” or the phrase -it is essential.  I don’t believe there are any absolutes regarding the way to hold a wine glass.

The main rule to properly holding the wine glass, is that you hold it comfortably for you. I’d suggest holding the glass by the stem, not the bowl, in order to keep your warm hand away from the wine in the bowl. Some people prefer to hold the glass near the base with the thumb and forefinger grasping the stem and the remaining fingers supporting the glass beneath the base; this keeps the hand farthest from the bowl.

If the wine is too cold, by all means feel free to hold the glass with the palms around the bowl in order to warm the wine until it reaches a more acceptable temperature.

Don’t stress if you need to hold the glass by the bowl or near it. It takes quite a few minutes of constant contact before the wine begins to warm. Often you’ll set the glass down so, normally, you’ll not hold onto a glass for an extended period.

I’m not a fan of stemless wine glasses; I prefer stems but this is matter of personal taste. The main idea is to enjoy the wine! A glass can enhance or reduce the enjoyment of wine but good wine will always speak out regardless of the vessel containing it.

For more on wine glasses, please see my post from last August Wine Glasses and Tasting Wine.

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Wine Glasses and Tasting Wine

My recommendation is to choose a thin-walled stemmed glass or crystal glass – avoid a rolled lip on the edge. The bowl should be at least 5 inches high with a moderate 2.5 inch throat. This ensures enough air space in the glass to swirl the wine vigorously and thoroughly assess the wine’s variety of aromas and flavors. The thin wall and thin lip assure you are as close to the wine as possible.

Premium glass manufacturers like RiedelSchottEisch and others make many different kinds of glass; in the extreme, Riedel makes one for nearly every type of wine! As a wine guy, I have four different types of glassware: a Riesling, a Riesling/Zinfandel all-purpose, a red Bordeaux and a red Burgundy glass – oh, and Champagne flutes! That’s probably more than anyone needs. For most occasions, a good all-purpose glass is fine. Look for a Riesling/Zinfandel/Sangiovese glass – it’s great for reds and whites.

Use the stem and its base to hold the glass, avoiding holding the bowl. Holding the bowl adversely affects the temperature of the wine due to glass contact with your body heat. Swirl the wine while holding the glass on a firm base, like a table, in order to avoid spilling the wine.

To evaluate the wine’s color, hold the glass away from you at a 45 degree angle, preferable tilting the glass against a white table cloth or paper, in a well-lit room. This way, you can see all the wine at once in the glass allowing you to better assess the density of color and saturation of hue and the clarity of the wine. A clear wine is well-made (white wines can show bright stars of light below it) while a cloudy wine is a red flag; the wine may be unstable or have undergone an unintended secondary fermentation in the bottle.

Examine the color, or lack of it, of the rim of the wine or where it touches the glass. A clear rim indicates a young wine while, conversely, an orange, amber or brown rim may indicate stages of possible oxidation.

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The Thrilling Agony of Rinsing Wine Glasses

Do you worry about how best to rinse your fine glassware? Do you need to rinse if you serve more than one wine in the same glass. Well fret no more!

Let’s look at two types of rinsing: 1) Rinsing glasses after use and 2) rinsing glassware in order to serve more than one wine per glass.

1. Rinsing after use

For thin walled crystal or thin walled glass, it is best to rinse by hand. I recommend using a glass brush and minimal diluted detergent, using lukewarm water. Obviously, you’ll want to brush gently. Make sure all of the detergent is rinsed out. Let the glasses dry on a clean, dry cloth. To best polish glassware, steam over boiling water, then use a clean polishing cloth. To polish the bowl, cradle the bowl in one hand while polishing with the other hand. Never twist the bowl against the stem -something will break! To polish the stem or base, hold by the stem or base.

The problem with using a dishwasher is two-fold. You are more likely to break fine glassware and the glasses are more likely to contain detergent residue. If you must use a dishwasher, use only a tiny amount of detergent (gels or fine grain, preferably with glass guard like Cascade (with Shine Shield) and use cool water. Only wash glass with glass – never with plates or silverware.

Even a small amount of detergent residue can have a big impact on the wine therein. For still wine, residue can affect aroma and taste. Detergent residue can render sparkling wine, like Champagne, flat. The smooth surfaces of glassware absorb odors easily so smell the glasses before use, when they’re dry, for off-odors like soap, chlorine, etc. If detected, wash again!

By the way, lead leaches out of crystal when the glass is in contact with hot or even warm water. So no soaking and no hot water!

2. Rinsing for multiple wines

Sometimes, you are hosting a dinner or tasting and you don’t have enough glasses to provide one for every wine. What to do?

I do not recommend rinsing with water between wines; rather use wine to rinse. I believe that water residues can affect the taste of the wine, especially if the water is even slightly chlorinated. I also believe that there is a slight dilution factor and there might be a slight change in surface tension and mouth-feel of the wine. To be safe, rinse with wine. Use a tiny amount of the next wine to be served to rinse. This is also called “priming” the glass.

If you carefully order the wines to be tasted, you can minimize your rinsing. Go from white to red, from light body to fuller body, from dry to sweet. If you follow this order, you may not need to rinse at all. If you go from a hearty red with dinner to a white dessert wine, I recommend rinsing with a dry white or, if not available, then using water, providing a cloth to dry the bowl.

Priming Glassware

By the way, a small but growing number of high-end restaurants are having their sommeliers “prime” glassware by rinsing with a very small amount (half an ounce or less) of the wine to be served. They believe this improves the tasting experience by ridding the glass of impurities or possible off-odors. But I wonder if this is necessary if you properly clean and polish your glassware. Sometimes they leave the priming wine in the glass and then pour the serving over it. Why? Doesn’t this defeat the purpose of “priming”?

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To decant or not to decant?

Believe it or not, decanting is controversial. Sommeliers discuss it and disagree, sometimes passionately. There is no absolute truth in decanting, as is true with many most vinous matters and, of course, life in general. Basically, it’s a matter of personal taste.

Decanting is done for two reasons:

- to aerate the wine

- to remove sediments, accumulated over time

The controversy revolves around the aeration of wines. No less an authority than the late Emile Peynaud, the great and influential French oenologist, has asserted that decanting should only be performed to remove deposits, and then just prior to serving. Peynaud felt that too much exposure to air diffuses a wines aroma and therefore some of the wine’s sensory attributes may be lost.

My experience, albeit with more modern, concentrated wines, leads me to feel differently. I’ve tracked the development of decanted wines over time in decanter, tasting periodically. I’ve found significant improvements in aroma and flavor development. So I decant young wines, even white wines, to aerate the wine to improve aroma and flavor development. It’s like ageing a wine instantly!

For my tastes, the issue is how long to decant. It’s largely an educated guess. Here’s a rough guide which should be followed with some caution (young wine = 1-3 years old, old wine is 10+ years):

Young Pinot Noir – 1-2 hours

Young Grand Cru red Burgundy – 1-4 hours

Young top tier classified Growth Bordeaux – 4-5 hours, first Growths more time

Young Syrah or Shiraz – 2-3 hours

Young Cabernet or blend – 2-3 hours

Young Zinfandel – 1 hour or less

Young Grand Cru white – 3 hours

Cheap daily drinker reds and whites – why bother? Enjoy now!

Old Bordeaux First Growth from great vintage – 2-18 hours*

Other old Bordeaux – 1-2 hours

Very old Bordeaux or top red Burgundy – less than 30 minutes**

Old California Cabernet – 2 hours

Quilceda Creek – 5-8 hours

It’s critical when decanting for aeration to check the wine periodically so you don’t overdo it. I’m frankly not satisfied with this guide as you need to have good knowledge of the particular wine to be decanted. It varies too much by producer and vintage for the above to be followed religiously. But it’s better than nothing! It will certainly horrify Sommeliers of Peynaud’s persuasion! For best results, ask your wine merchant or look up a reviewer’s tasting notes, if available. Big, concentrated young wines need more decanting time.

One other problem with decanting over a few hours is that the wine may warm up too much.

Double decanting is pouring the wine from bottle to decanter and then back to bottle, preferably after an hour or two in decanter. I prefer to double decant because it further aerates the wine, it is easier to pour wine from a bottle and because your guests can see the bottle and its label.

To double decant, you’ll need a funnel, preferably not plastic. Esquin sells an aerating funnel which I love and use – the Cascadia Wine Funnel. It has a big bowl (very important) and disperses the wine around the walls of the decanter.

If you decant to clarify or remove the wine of deposits, you’ll need a steady hand and steady gaze, slowly and gently pouring the wine out of bottle so that the deposits are left in the bottle’s shoulder. To aide the process, a light, either a candle or flashlight can be used to track the movement of the deposits. Before such decanting, the bottle should be kept upright for a day.

As for decanters, there are many ways to go. I prefer the so-called ship’s decanter. With its wide, flat bottom, you get better aeration due to more of the wine’s surface area being exposed. But in a pinch, even a clean, dry water pitcher will do. Even small, carafe-style decanters are fine – especially when double decanting. When buying a decanter there’s no need to spend big dollars. You can find good decanters from $10-$50. We have a nice selection at Esquin.

What about all those gimmicks that promise to improve wine instantly? So far, I’ve had mixed results with Eisch’s so-called “breathable” glassware. The Nuance Wine Finer seems to work well.

Other approaches are less successful and get the “thumbs down”:

- Sphere oxygenating decanter – a mess which doesn’t work and is difficult to clean

- Rouge electric aerator – are you kidding me?

- Wine Fall aerator – questionable results, difficult to clean like the sphere

- Vinturi Wine Aerator – not yet tested by me but looks too violent on the wine and may be difficult to clean. I’ll check it out soon.

- deSign Wine Aerator – manhandles the wine, does not appear to work, expensive.

Since decanting seems to be a very personal, individual issue, I’d love to hear your thoughts or read your posted replies.

* I once decanted a 1982 Mouton for 5 hours. It wasn’t near enough! I should have decanted it at least 12 or more hours before serving!

** These wines are mature and may be quite delicate. They should be decanted, not for aeration, but rather to remove accumulated sediments and deposits, and just prior to serving.

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An evening of Burgundy with Germany’s famed Ernst Loosen

Two weeks ago, I enjoyed an outstanding tasting of red Burgundy with the legendary Ernst (‘Ernie’) Loosen of Dr. Loosen fame. There were seven of us, all in the wine trade except our host’s congenial wife, Natalie. Our host was Michael de Maar, of whom I’ve written in a previous post, and we were at his charming home. Loosen was in town for the Riesling Rendezvous (he is a partner/consultant to Chateau Ste. Michelle).

Although Ernie is known as Germany’s premier Riesling ambassador, he is a big Burgundy fan and collector. I can see why. Like Burgundy, great Riesling is all about subtlety and balance – not about attacking you with giant wines possessing tons of dry extract.

Ernie is a very entertaining and charming personality, full of great stories including his two hilarious encounters with a celebrated, iconic producer from Piedmont (I might talk more about this later but I promised discretion!). With Ernie, there is no pretension, artifice nor self-importance -he’s a really likeable guy!

Anyway, here are the wines we tasted, with some notes (I’m recalling them as best as I can from memory):

2004 Joseph Roty Mazys Chambertin Grand Cru

Very oaky and disjointed. Needs a lot more time but is the fruit there? No obvious nose of Grand Cru either. The least favorite wine of the night by unanimous vote. By the way, this Grand Cru is also spelled Mazis and Mazy. Perhaps it should have been decanted for a few hours.

2003 Comte de Vog__ Chambolle-Musigny 1er Cru

Very ripe (almost cooked) fruit on the nose, a telltale sign of a (very) hot vintage. Likewise, full, rich and round -what Clive Coates might describe as foursquare – on the palate with low acidity. A guilty pleasure, as this is not a more typically refined wine from Chambolle’s greatest producer.

2002 Comte Armand Pommard 1er Cru Clos des ‘peneaux

This was outstanding; rich yet refined with excellent depth and complexity. However, to be fair, this monopole* was the only wine to be decanted.

2001 Denis Mugneret Richebourg Grand Cru

Wow. This, and the Armand, were the wines of the night. Denis and his son Dominique sharecropped this parcel from Liger-Belair. A typical full, rich, intense Richebourg with aromas of violets and complex flavors of toffee and black berries.

1995 Daniel Rion Chambolle-Musigny

Daniel’s on Patrice made this wine. It was beginning to show its age, holding up pretty well for a village wine. The fruit of medium red berries was delicate but still many faceted.

1990 Claude Dugat Gevrey Chambertin

This showed impressively well for a 20 year old village wine. Like the Rion above, delicate fruit but still showed Gevrey’s firmness and animale aromas.

1990 Louis Latour Volnay 1er Cru Leds Santenots

Frankly, we were apprehensive about this wine, coming from a large n’gotiant house with a middling reputation. Wine snobbery? In any case, we were pleasantly surprised because it held up well and still showed tasty light berry fruit.

* a monopole is a rare, single-owner vineyard. Most vineyards in Burgundy have multiple owners.

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